~Ronald Colman~

Born: February 9, 1891 in Richmond, Surrey, England, UK
Died: May 19, 1958 in Santa Barbara, California, USA
~Silent Filmography~
The Magic Flame (1927) .... Tito the Clown/The Count
The Night of Love (1927) .... Montero
The Winning of Barbara Worth (1926) .... Willard Holmes
Beau Geste (1926) .... Michael 'Beau' Geste
Kiki (1926) .... Victor Renal
Lady Windermere's Fan (1925) .... Lord Darlington
Stella Dallas (1925) .... Stephen Dallas
The Dark Angel (1925) .... Captain Alan Trent
Her Sister from Paris (1925) .... Joseph Weyringer
His Supreme Moment (1925) .... John Douglas
The Sporting Venus (1925) .... Donald MacAllan
A Thief in Paradise (1925) .... Maurice Blake
Romola (1925) .... Carlo Bucellini
Her Night of Romance (1924) .... Paul Menford
Tarnish (1924) .... Emmet Carr
Twenty Dollars a Week (1924) .... Chester Reeves
... aka $20 a Week
... aka 20 Dollars a Week
The Eternal City (1923) (uncredited) .... Extra
The White Sister (1923) .... Capt. Giovanni Severini
Handcuffs or Kisses (1921) .... Lodyard
The Black Spider (1920) .... Vicomte de Beaurais
... aka Foolish Monte Carlo (USA)
A Son of David (1920) .... Maurice Phillips
Anna the Adventuress (1920) .... Brendan
Sheba (1919) (uncredited) .... Bit part
The Toilers (1919) .... Bob
A Daughter of Eve (1919) (uncredited) .... Bit Part
Snow in the Desert (1919) .... Rupert Sylvester
The Live Wire (1917)
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~The Los Angeles Times~
May 20, 1958
Ronald Colman was a veteran British-born actor who was among the top film stars for three
Curiously, the picture for which he won the Academy Award as the best actor of 1947, "A
Double Life," was not a big box-office hit. He also was nominated for an Oscar for 1929/30's
"Bulldog Drummond" and "Condemned" and 1942's "Random Harvest."

Although recognized as one of the all-time great actors in filmdom, Colman probably was best
known for his debonair manner and halting British speech, which became a trademark imitated
by nearly all impressionists. His first part was in a dramatic sketch that toured England as a
feature of the "varieties," equivalent of American vaudeville. Feeling that America offered
better opportunities, Colman landed in New York in 1920 with $57 in cash, three clean collars,
two letters of introduction — and his British accent.
He made his American stage debut with three walk-on parts in "The Dauntless Three," starring
Robert Warwick. Two years of extra work and small parts followed, including a seven-month
tour with Fay Bainter in "East Is West."

His big break came when he got an important supporting role in the Shubert production of "La
Tendresse," starring Ruth Chatterton and Henry Miller. Screen director Henry King saw
Colman and signed him for the leading male role opposite Lillian Gish in the film "The White
Sister." The pictures rolled out — "Ramola," "The Dark Angel," "Kiki," "The Magic Flame," "The
Night of Love," "Leatherface" and "The Rescue."

He was an immediate hit and a star from then on. He became a Hollywood's romantic hero,
stepping into the shoes of Rudolph Valentino and John Gilbert. He slipped through the sound
barrier when he created Bulldog Drummond, a cinema character that became one of the
greatest drawing cards of its time. The pictures kept coming—"Devil May Care," "Raffles," If I
Were King," "The Talk of the Town" and "Kismet."
After his award-winning performance in "A Double Life," Colman played only one full-length
role, in "Champagne for Caesar." He then appeared in the episodic "Story of Mankind" and he
had a brief scene in "Around the World in 80 Days" as a train conductor in India.