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| ~Love~ 1920 |
| ~R5-1: Louise Glaum & James Kirkwood~ |
| ~R5-3: Louise Glaum & James Kirkwood~ |
| ~R5-9: Louise Glaum & Unknown~ |
| ~R5-12: Louise Glaum~ |
| ~R5-15: Louise Glaum & James Kirkwood~ |
| ~R5-16: Peggy Cartwright, Louise Glaum & Edith Yorke~ |
| ~R5-18: Louise Glaum & James Kirkwood~ |
| ~R5-44: Louise Glaum~ |
| ~R5-55: Louise Glaum~ |
| ~R5-72: Louise Glaum~ |
| ~According To The Papers~ |
Louise Glaum scores another screen triumph in "Love, " the unique story from a scenario by Louis
Joseph Vance which is the principal feature of this week's program at the Criterion theater, seldom has a
more appealing or more revealing role been created for stage or screen. In "Love," Miss Glaum, as
Natalie Storm, makes the greatest sacrifice in a woman's life. For the sake of a baby sister, she throws
her own happiness into the discard and becomes the companion of a worthless rouge. While this
situation is one that can be admired, there is a moral which is found in the purpose which dominates the
action. There were two paths open to this young lady. Poverty and illness for her sister and herself or
comfort and ease for the sister. Natalie chose the latter. In the end, however, truth finds the way and
love conquers all. Miss Glaum has an exceptional role, one in which her full emotional powers are
brought into being, and never before has she appeared to better advantage.
The Atlanta Constitution, Page 12, January 25, 1921
Atlanta, Georgia
Joseph Vance which is the principal feature of this week's program at the Criterion theater, seldom has a
more appealing or more revealing role been created for stage or screen. In "Love," Miss Glaum, as
Natalie Storm, makes the greatest sacrifice in a woman's life. For the sake of a baby sister, she throws
her own happiness into the discard and becomes the companion of a worthless rouge. While this
situation is one that can be admired, there is a moral which is found in the purpose which dominates the
action. There were two paths open to this young lady. Poverty and illness for her sister and herself or
comfort and ease for the sister. Natalie chose the latter. In the end, however, truth finds the way and
love conquers all. Miss Glaum has an exceptional role, one in which her full emotional powers are
brought into being, and never before has she appeared to better advantage.
The Atlanta Constitution, Page 12, January 25, 1921
Atlanta, Georgia
| Directed by: Wesley Ruggles Written by: Carol Kapleau - story H. Tipton Steck - titles Louis Joseph Vance - scenario |
| ~Cast~ Louise Glaum ... Natalie Storm Peggy Cartwright ... Beatrice Storm James Kirkwood ... Tom Chandler Joseph Kilgour ... Alvin Dunning Edith Yorke ... Beatrice's Mother |
| ~Remaining Credits~ Produced by: J. Parker Read Jr. Productions Released by: Associated Producers Inc. Cinematography by: Charles J. Stumar Film Editing by: Ralph Dixon Art Titles by: Leo H. Braun, Carl Schneider & F.J. Van Halle Technical Director, Architecture: Charles H. Kyson Technical Director: Harvey C. Leavitt Length: 7 Reels Runtime: 70 Minutes Released: December 5, 1920 |
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| ~R5-82: Louise Glaum & Peggy Cartwright~ |
| ~R5-53: Louise Glaum & Peggy Cartwright~ |
| SilentHollywood.com |
| ~R5-69: Louise Glaum~ |
| ~R5-89: Unknown and Louise Glaum~ |